Thursday, 25 November 2010
Representation Task
We are now going to try to re-define the representation in one of the clips.
In groups of three or four, I would like you to choose one of the clips we have looked at so far (one that you have a good amount of notes on would be best) and plan out how you would change the camera, editing, sound and mis-en-scene in order to change the representation of the group. It is important you pay particular attention to the four elements, look at how they were used to put across one representation and then work out how you could give a totally different representation by changing them.
Re-watch the clip you choose, discuss as a group how you can change the representation and begin to plan out on paper precisely what you would change.
Once your group has fully re-planned the clip, you will have a chance to film and edit it! We will view the clips in class once they are filmed.
Tuesday, 23 November 2010
Timed essay
Thursday, 18 November 2010
Today's Clip to Analyse
Tuesday, 9 November 2010
This Thursday's Lesson
The clip is embedded below. Please watch it as we usually do in class - 4 times, with a break after each viewing to make notes on what you have seen.
Please answer the following question and write it up to your blogs for next lesson:
Looking at camera, sound, editing and mis-en-scene, consider how CLASS is represented in the following clip...
Skins Clip from today's lesson
Wednesday, 20 October 2010
Tuesday, 19 October 2010
Wednesday, 13 October 2010
Another clip to analyse
Tuesday, 12 October 2010
A recap of what you need to be considering when analysing a clip...
For the textual analysis it's important to tie in the 3 elements of a good answer. These are:
1- Identify the technical and stylistic elements but remember that they work together to create meaning.
2- Analyse the effect of these elements on the meaning.
3 - Link back to the idea of representation.
Technical and stylistic codes
Remember that TV drama wants to create two types of reality; REAL REALITY and ALTERNATIVE REALITY. The first is an attempt by programme makers to develop a feeling that you're watching something real and easily recognised. Eastenders, The Street and Shameless all fall into this category. The second includes shows like Dr Who, Being Human and Primeval. The category can effect the stylistic and technical elements found within the show. For example the Dr Who extract from last year's exam featured CGI, dramatic non-diegetic lighting effects, CGI transitions, futuristic costume and the like.
You must never just feature-spot. The examiner knows, for example, that it's a low angle long shot of a man running in a wood in the dark with the diegetic sound of men shouting off camera. What they want you to tell them is why you think it's there. What is the effect and impact of that combination of features to the overall representation in the clip? You have to think about the effects of these elements. It's worth reminding yourself of some of the elements you might find (all the glossaries I have given you) but remember the number of technical elements used in conventional British TV drama is limited.
Thursday, 7 October 2010
Life on Mars Extract from our Lesson
Monday, 4 October 2010
Monarch of the Glen Extract, from Jan 2009 Exam
"With reference to the CAMERA, EDITING, SOUND AND MISE EN SCENE,
discuss how ........................ is represented in this clip."
The gap above will be filled with one of the following:
Age, Gender, Sexuality, Regional Identity, Physical ability/disability, Class/status, Ethnicity.
In the extract below, the exam board required the candidate to discuss how AGE was represented.
The exam board allows you to do the following:
• First screening: watch the extract; no notes are to be made this time.
• Second screening: watch the extract and make notes.
• There will be a brief break for note-making.
• Third and fourth screening: watch the extract and make notes.
We will watch this extract 4 times in class on Tuesday's lesson, and you will need to make notes on how camera, editing, sound and mis-en-scene aid in constructing the representation of age.
OCR Guide to Basic Camera Shots
Wednesday, 29 September 2010
Tasks for Thursday 30/9/10
Thursday, 23 September 2010
Link to The Wire - Pilot Episode
Click here to download file
This download is for educational purposes!
Monday, 20 September 2010
Exam Question template
Glossary of mis-en-scene and lighting terms
Glossary of Sound Terms
Glossary of Editing Terms
Thursday, 9 September 2010
Homework Reminders
From Lesson 2, homework was read the camera shots information sheet, then watch a short scene of a drama of your choice (doesn't have to be a whole show) and fill in the camera shots sheet. Remember: Denotation is what is literally being shown - e.g. a medium shot of two people talking. Connotation is if the shot gives a hidden meaning to what is happening - e.g. a high angle of two 'hoodies' walking down an alley could give the impression of security camera footage, making them seem sinister, even if it not mentioned in the plot.
Representation Continued...
Wednesday, 8 September 2010
First Lesson Presentation
Specification for TV Drama
If you are having difficulty accessing the file at the above link, you can also view and download it here: